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Indignation is a great source of energy. It seems to
be sparked equally by the whiff of a threat to personal territory and
by concern for the wider community. The British in particular seem to
respond vigorously to a sense of injustice on behalf of the powerless,
the vulnerable and the mute - be it mute animals, mute landscapes or mute
people. Outrage can stimulate extraordinary gifts of time and intelligent
support - as well as money - from those who might otherwise stay silent.
Indignation will always play a crucial role in democracy, but in some
ways it is quite an inefficient use of energy. It is reactive, confrontational
and depends on some injustice being perpetrated in the first place. If
the concern and energy for these causes could be harnessed before the
outrage were even born and channelled into the planning system to make
sure that the direction was right from the start, we would be living in
a fine world.
English Heritage is in the midst of reviewing policy
recommendations for the historic environment as a whole. Consultees are
recommending that there should be more democratic access not just to the
historic environment itself, but to the way that the historic environment
is actually defined and given value. In the previous chapter, David makes
important points about the populist dimensions of heritage. The range
of things we value is enormous and the critical part is the value not
the thing. Losing a grandfather¹s worthless watch in a burglary can be
far more distressing than losing expensive computer equipment. Seeing
the tree on the village green felled can seem more tragic than watching
the Grade I town hall go up in flames. It is not just that some things
can be replaced or rebuilt; it is what the loss represented; what were
the memories it could open; what emotions were stirred by merely touching
or smelling it?
The work of Sue Clifford and Common Ground has done
much to reveal these values. Quietly and steadily, Sue and Angela have
been showing what places mean to the people who live in them. They have
uncovered the stories hidden in street and field names; the sense of village
pride in the variety of apple tree bred over the centuries for that particular
soil and climate; and the power of local ballads and ceremonies to connect
people and place. In the public consultation at the start of any project
it is amazing how the simple act of bringing out historic maps or photographs
can trigger huge interest. Seeing what our everyday surroundings looked
like a hundred, or even ten, years ago seems to hold almost universal
fascination. There is an immediate sense of time - charted through shared
and personal memories - and a realization that a place continues to live
and change alongside its inhabitants. A place is not just a backdrop for
events; it is caught up in the process.
Along with the excitement of change, there is anxiety.
We are constantly being told that we are living in a time of great change;
that computer and bio-engineering technologies mean that nothing will
ever be the same again. Perhaps steam power and railways actually had
more impact on the lives of our ancestors than dot.com on ours, but it
is the perception of change which counts. The more we feel that everything
is in flux, the more we crave some sense of continuity; some fixed points
in the flow. Travel and exploration are much easier if there is the security
of a home to return to. It is not just the elderly who reach out for continuity.
Cutting edge computer game firms choose to make their offices in restored
Victorian mills in Manchester and the magic of Harry Potter , with its
appeal to children around the world, is set in gothic and suburban England.
So how can these emotions and associations fit into
the prosaic English planning system? The Thames Landscape Strategy (Hampton
to Kew) was an attempt to understand the ideas which make people feel
strongly about the river and to gather the concepts and images into an
agreement for how the place should continue to change in the future. The
Strategy was based on three years of consultation with local groups, planning
authorities and central government agencies. The project combined a study
of the local history and nature conservation with an assessment of the
current landscape and its contemporary use. Over 200 groups were actively
involved in the study, contributing ideas, information and a passion for
the place. Members of local and central government as well as amenity
societies gave very generous amounts of time and energy to the study.
Policies and projects for the river landscape were raised and discussed
by all those involved. It was a strategy which drew together the local
knowledge and enthusiasm to agree a common way forward. The landscape
which had inspired the indignation meetings when the riverside was threatened
in 1900 is still able to raise the local interest and energy to come up
with a vision for its future a century later. This time though, the energy
is raised by optimism for the future rather than by any single threat
or outrage.
It is interesting to note how the Strategy began.
Rather than as a big idea conceived by government, the Strategy emerged
as a small part of the 1991 Thames Connections exhibition which set out
to draw attention to the value and plight of the river in London. Most
of the exhibitors were building architects, but a small part of the exhibition
was set aside for a landscape architect. The landscape exhibit showed
how the historic vistas and sightlines along this part of the Thames had
determined the layout of the towns, parks and open space in the area.
The exhibit showed not only how these views could be restored, but also
how they could inspire new vistas and connections. The exhibit happened
to catch the eye of some riverside residents, captured the local imagination
and grew from there.
One of the key things about place is time. The layers
of lives lived and remembered turn location into place. It took time to
create; it takes time to understand; and policies for the management and
continuing evolution of a place deserve a sensible span of time to take
effect. The Thames Landscape Strategy has drawn up policies and projects
for the next hundred years. A century is a round cultural concept. It
is the period it takes native trees to reach maturity. And it is a time
span which allows for buildings to reach the end of their economic life
and for past mistakes to be demolished and replaced by more imaginative
developments. It also puts the city and the landscape in a proper perspective
- places which look through generations, elections and environmental change.
The linking of long-term policies and immediate projects in one thought
process and document has the advantage of a broad guiding vision relating
directly to things happening on the ground.
With such ambitious aims and so many different groups
to embrace, a co-ordinator for the Strategy has been essential. Donna
Clack has steered the project through its first six years. She has managed
to keep national agencies, local authorities and local amenity societies
involved and feeling as though the Strategy is alive, relevant and responding
to their needs. She has also succeeded in raising funds for the project,
so that over 60 per cent of the support comes from private sources. There
is a new interest in the river and its future - a sense that it belongs
to the local people and that their voice can actually make a difference
to the way that it is managed and developed. There is inevitably frustration
that some projects are not happening fast enough. There are conflicts
between the desire for development and the need to conserve open space.
There is friction between those who would like to see historic landscape
features restored and those who would prefer a new urban wilderness. But
the main thing is that people are looking hard at their surroundings,
arguing about them and feeling involved in their future. The value of
the place has been acknowledged and the understanding of the character
has been explored. Local people are participating in the planning process
and central government is responding by calling in controversial schemes
for adjudication.
Inspired by the agreements on the Thames from Hampton
to Kew, local amenity societies on the next 18 kilometres downstream,
Kew to Chelsea, have banded together as the West London River Group to
persuade government to fund a similar study for their part of the Thames.
The economic boom and the pressure for riverside development has led to
much discussion about how London should evolve around its river. The sites
of redundant waterworks, gasworks and playing fields are targeted as brownfield
sites ripe for urban renewal. However these areas of open land are also
part of the rhythm of waterfront towns and intervening green space which
characterize the form of the landscape and communities through the West
London Thames. A Thames Strategy should be able to integrate these issues
into a fuller context, crossing local authority boundaries and local interests,
and reaching some consensus ahead of site by site indignation - before
the bulldozers move in, the trees come down and the outrage erupts.
The Thames Landscape Strategy has sometimes been
dismissed as a one-off - a plan for an Arcadian idyll of international
significance. What about the less glamorous landscapes and the inner city?
Does this approach have any relevance for them? The south bank of the
Thames in Southwark around London Bridge is as gritty and inner urban
as Richmond and Kew are pastoral and suburban. The English Heritage study
for the Borough at London Bridge has however succeeded on similar principles
to the Thames Landscape Strategy. The extent and time span of the study
has been less ambitious, but the approach of involving the local people,
understanding the character of the area and agreeing a long term plan
based on the public spaces and movement has been accepted.
The Borough at London Bridge is one of the oldest
areas of London. There are some fine buildings, such as Southwark Cathedral,
but the real magic of the area lies in its rough, utilitarian history
as the victualling, entertainment and red light district of the capital,
safely across the water from the financial propriety of the City. The
ancient market and cathedral still lie at the heart of the area, supported
by a beleaguered but long-established community. Impressions of the place
hover between images of Blade Runner filmsets and Chaucer's inns, Shakespeare's
Globe and Dickens' prison. Areas of dereliction and much-loved Victorian
public housing sit beside new developments such as Vinopolis and the Bankside
power station, transformed into Tate Modern. Proposals for the Greater
London Authority Building, the largest teaching hospital in Europe, a
new Thameslink rail viaduct and the much-needed improvement of London
Bridge Station will accelerate radical change.
Southwark Borough Council, anxious to bring regeneration
to the deprived area, has shunned grand masterplans which could slow and
hamper investment. Now suddenly, after more than 20 years of inactivity,
development is scrambling into the area. The question has been how to
guide regeneration to respond to the special character of the Borough.
Uncontrolled development of glass and chrome blocks, typical of any other
booming city around the world, could disinfect the place of its particular
identity and leave the area bland and out-of-date in a decade or so. Regeneration
needs to last and the special character of a place - in its community
and stories as well as its physical fabric - can keep an area alive and
attractive beyond the first burst of investment.
The shape and character of the Borough at London
Bridge have been determined by trade, movement and improvisation. It is
still a place of movement, located at one of the main commuter cross-roads
and public transport interchanges in the capital. Following an intense
period of consultation with key players - from the Cathedral and the Market
to the local community groups and central government - it was agreed that
the area should be planned around its public spaces and the flow of movement
between them. The brief for individual buildings can be set in relation
to the spaces they help to form. This is not a grand masterplan, but it
does give a coherence to the city from the point of view of those who
use it. The public are still able to influence their realm and the process
of involvement is locked into the system. The rail viaduct in particular
is stimulating much indignation. This kind of targeted vigilance will
always have a critical role. There is however the possibility for the
integration of local feeling, concern and pride into the planning of the
place so that future developments can fit a pattern which has broad agreement.
So how do you tap the energy of indignation early
enough to prevent outrage? Who do you consult and how? Many methods of
community consultation have evolved. 'Planning for real' techniques are
great at drawing in a broad range of the public off the street to plot
what should happen to their patch in a direct and visual way. At the other
end of the spectrum, focus groups can concentrate detailed discussions
on particular issues. The internet also opens excellent possibilities
for new kinds of consultation and interaction. Each technique has its
strengths and ability to reach another group of the people whose environment
is being affected.
Consultation takes time and skill if it is really
to reach and reflect what the community is thinking. It is also expensive.
The method used for the Thames Landscape Strategy and the Borough at London
Bridge studies has been to talk to the key players first and then consult
more and more widely as each person recommends several others for consultation.
Key players include community leaders, amenity societies, central government
agencies, key landowners, key investors and local authority members and
officers. Each person or body has a slightly different understanding of
the situation and different priorities for the future.
The important thing is to go to see each representative
individually before any big meetings are arranged. Discussions should
be wide-ranging and explore the special character of the place, regardless
of what plans may be afoot. The memories and associations - good and bad
- between the person and the place need to be understood before going
on to discuss what should happen next. The complexity of the sense of
place will gradually emerge. Often descriptions of the character will
be fairly similar, although reactions to that character can be diametrically
opposed. This kind of personal interview is the best way to get to know
a place and to understand what it evokes in the people who live and work
there. It also gets people thinking and involved before any kind of report
is produced or any proposals are put forward. When plans are sprung fully
formed on a community, it destroys the sense of belonging and being a
part of the continuing evolution of a place.
Historic research can also reveal a great deal. Maps
and paintings show how an area has evolved. Written descriptions can give
a good insight into how people have reacted to the place before and how
current impressions have been formed. Gradually a sense of the place will
emerge and it will probably change and deepen, the more people are consulted
and take time to look and consider what they think. One meeting is not
enough. It is important to go back after the first exploration to talk
about reactions from other people and to start forming suggestions for
the way forward. When one finally starts to reach conclusions, any report
should be circulated in draft and comments absorbed or acknowledged. The
final document should then come as no surprise and simply act as the confirmation
of the long series of discussions. It should also leave room for evolution
as the place continues to change.
This kind of consultation relies on someone who has
the time to visit all the key players and gradually combine and inform
the results of the discussions. Interviews need to be sufficiently intimate
and personal to pick up all the nuances of the place. The process is not
formulaic and cannot be sub-contracted to lots of different people to
save time. Each consultation informs the next and each issue tends to
cross over into others. At London Bridge, for example, concerns over servicing
Borough Market relate to the functioning of the Cathedral, traffic flows
over London Bridge, pedestrian flows from the station, noise levels in
surrounding housing, Council paving policies and so on and so on. All
the ideas need to coalesce in one coherent series of discussions, leading
to imaginative and locally focused proposals.
This sort of approach is perhaps a little too free-form
for the traditional statutory system. It is however well suited to Supplementary
Planning Guidance. The Thames Landscape Strategy could never have happened
as a standard part of the statutory process, without being adopted as
SPG first. It needed the freedom of standing aside from the system to
come up with new ideas and approaches. Without the further filter of being
incorporated into the statutory apparatus through Unitary Development
Plan Reviews, local authorities could never have been as relaxed in considering
fresh policies. Agreeing contentious cross-borough policies straight into
the legislation would have been impossible. The ad hoc nature of this
kind of consultation would also not have been acceptable without the secondary
layer of full statutory consultation at a later stage. As it was though,
discussion was able to range freely through government bodies and amenity
societies without the fear that some irrevocable policy issue was at stake.
By the time it came to formulating the final policy wordings, thinking
had advanced to a stage where much more imaginative consensus was possible.
The consultation over the London Eye was masterly.
Marks Barfield Architects spent over two years talking to everyone involved.
The husband and wife team went to see each person individually. The idea
for a Millennium Wheel had been their own inspiration from the start.
Initial reactions to the concept of a ferris wheel opposite the Houses
of Parliament were hostile, but with persistent and respectful consultation
Marks Barfield managed to turn government and public opinion around and
to convince British Airways to pay for the scheme. The London Eye is now
one of the most popular of the Millennium initiatives and cities around
the world are eager to copy the idea.
Indignation is one of the great safety checks provided
by democracy. The Thames Landscape Strategy, London Eye and Borough at
London Bridge studies manage to incorporate many of the ideas and passions
into an agreement before they erupt in indignation, but it is not always
possible. The very nature of these studies makes it hard to set down a
template for the future. People and places being what they are, it is
probably unwise to attempt a 'how-to' solution. Perhaps the closest one
can get is to set down three main principles which might help:
1. Understanding of place Place is the merging of
lives into land. The way a town or house or corner of land is remembered;
the ideas and emotions it stimulates; the identities and associations
it carries - these are what make place. The personal and passionate nature
of these associations fuel the energy of indignation. The most essential
part of understanding place is learning how to listen and really being
interested in what you hear. Anecdotal stories will often carry the same
significance as archaeological evidence in local minds. The trick is to
discover where the stories overlap and where there is agreement on what
gives the place its character. The local rookery may have more bearing
on the perceived character than the particular style of Georgian sash
windows. That is not to say that one has intrinsically more importance
than the other, just that the rooks may impinge more consciously and directly
on the lives of the inhabitants. Historical research, nature conservation
assessment and the pattern of contemporary life will all contribute to
the picture. The eighteenth-century concept of the animated prospect is
still completely relevant. It is not just the scene one has to grasp -
it is the life and movement which animate it. The public spaces and the
way people move between them is the key to urban design.
2. Understanding of change The social and economic
factors which continue to shape and change place need to be equally understood.
How people live and where they are employed continue to be integral to
the process. The forces of change can only be guided if the forces themselves
are properly understood. Decisions about what to keep and what to replace
have to be made in the context of what comes next. Priorities for conservation
need to be set on a national and international level as well on the basis
of local distinctiveness. It is the same with nature conservation as with
architectural history. Sites of Special Scientific Interest are weighed
against the setting of Grade I listed buildings and against regional employment
and transport targets. If the need for change is fairly argued and the
impact on the local identity and place fully understood, it may be possible
to side-step the no-change:sweep-it-all-away tug of war. The discussion
could shift into the realm of how the change can best be accommodated
in the cherished and complicated pattern we carry with us.
3. Stewardship as part of continuing evolution The
final principle is to do with the management of place. Over the past few
decades, 'preservation' has been replaced by 'conservation' as an acceptable
term for saving for the future. More recently 'stewardship' has emerged
as an even more appropriate concept. Stewardship manages to convey the
idea of caring for our surroundings to enable them to survive for succeeding
generations. Stewardship can apply to land and water as well as to buildings
and communities. Agreement needs to be reached not only on what to take
forward but also how to do it. Place is not static; it continues to change.
Agreement on stewardship may be the way to smooth the process of change
while respecting the resonance of place. If this can find a place in a
more responsive planning system it may be the channel for the energy of
indignation in the future.
Kim Wilkie vi.00
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